Jeune Création 70e, Thaddaeus Ropac, Paris-Pantin, 2020.

Images: Chris Lee

Nu. On entre nu ici !

Joséphine Sultane

Reçu l’invitation : vous êtes conviés à un déjeuner fin, des délices à goûter, les gens seront charmants, l’endroit un enchantement. Une chose seulement : ne faites aucun bruit. Pas un mot, pas un rire, pas un oh, pas un ah. Taisez-vous ! Pour une fois.

Il y a le monde en dehors, et il y a cette clairière, encerclée de bois clairs, coupés de la main douce d’une sorcière blanche du coin, et puis au cœur du cercle, des bouquets de simples de toutes les couleurs et aussi plein de fleurs. C’est un sanctuaire, une chapelle, où comme devant Dieu, on ne dit rien.

Je passe le seuil, on me donne un sourire et on me prend ma voix.

Les autres gens sont là, penauds. On nous tend des coupes pour délier sinon nos langues, alors quelque chose d’autre ? Je n’ai que des regards, pour le garçon là-bas, oh quelles jolies chaussettes ! et les yeux de cette fille, la couleur de la pluie, mais tiens, ce ne serait pas celle-ci qui va nous tomber dessus ? J’entends, entre les gouttes de sueur, l’orage des fins d’été gronder.

J’entends les pas de nos bienfaiteurs entre les silencieux, j’entends la rumeur des rires étouffés, nerveux, gênés, sincères pourtant. Je tends l’oreille un peu plus fort : j’entends l’envie de se parler.

Mais on n’a pas le droit, alors qu’est-ce qu’on fait ? Mes yeux croisent ceux d’un autre, ses gestes m’interrogent, je raconte de ma main que, dans la vie, j’écris. La balle rebondit, je mime la question, il me répond qu’il peint, agitant tel Cocteau un pinceau qui ne vit que pour un trait tout fin. Je comprends, je souris, puisqu’il n’y a rien d’autre qui me soit permis.

Oh, tout un déjeuner à faire deviner des réponses que la langue nous aurait si facilement données ! Oh oui, mon bon Monsieur, remplissez ma coupe, j’en aurai bien besoin ! Il ne me reste rien, rien de mes habitudes, rien des questions idiotes que je pose aux inconnus, rien de mes traits d’esprit, ni de mes tours de phrase, ou mes tons de voix qui donnent de la saveur, rien de tout ça. Je suis nue !

Un geste ample nous fait assoir. Peut-être les plats, servis à une table, piqués par une fourchette, le vin, bu dans un verre que je connais, peut-être vont-ils me rendre ce que le silence m’a enlevé ? Une contenance, une aisance, un pilote automatique de l’existence.

Ma voisine dépose une marguerite violette sur son verre, un autre renifle des grains qui sentent le fenouil, et ils jouent la joie, forcent leurs zygomatiques, je réponds de mes yeux que je les trouve heureux. C’est fou comme cela sent bon ! Ce doit être le vent. Quelqu’un se lève, tournoie gaiement sur l’herbe, une autre le rejoint, les assis les regardent, et bientôt n’y tiennent plus, vont danser avec eux. J’y vais, en même temps qu’un type qui va jouer du violon. Ah si je vous assure, il joue un air vibrant, un barde des temps futurs qui sonne la musique dans l’esprit des enfants ! On danse, on danse tant, que c’est bientôt le temps d’aller faire la sieste.

Et comme de petits êtres, de la forêt ou de l’école primaire, on va se coucher, un instant dans les prés. On joue avec nos mains, on caresse les brins, et on regarde l’autre non plus pour le jauger, mais plutôt pour savoir s’il veut jouer avec nous, à la récré ?

On dessine dans les airs des idées, on meut nos corps en visions, on devine ce qu’on ne peut pas comprendre et on donne un bout de soi qui ne s’embarrasse pas de ce qu’on en pensera.

C’est l’heure du dessert, on mange les couleurs, curcuma, betterave et géranium, et on s’apprête à quitter notre royaume.

Dans la vraie vie, on s’habille de mots, on se cache derrière des phrases, on raconte des histoires, pas mensongères mais façonnées, après répétitions – générales jamais finales, – pour soi et pour les autres, émoussées peu à peu par les rencontres d’une fois. On érige autour de soi une muraille, un château, vrai dédale !, on construit un personnage, pas une fiction mais un reflet de soi, qu’on peut, en quelques mots, convoquer quand il faut. On dit je fais ça dans la vie, on dit je connais quelquun qui, on dit jai vu ça lautre fois.

Aujourd’hui je n’ai rien dit. Et j’ai senti une joie, une joie jaillissante, parce que jaillie de ma propre source, celle qui ne sait pas parler, celle qui ne sait pas penser, celle qui ne sait que… Je ne sais que regarder et voir, comme on écoute, danser et sourire, comme on touche, et me rouler dans l’herbe, et sentir le vin qui coule dans ma gorge, et le craquement d’une carotte qui a grandi par-là, ou celui d’une mâchoire qui s’ouvre de plaisir. Je crois que ce jour-là, si je n’ai pu rien dire, tout ce que j’ai fait, c’est jouir.

Melbourne Silent Dinners

 

I muse on memories of the Melbourne Silent Dinner Parties, which all panned out to be incredibly romantic affairs – each night with it’s own bent, but all with an air of the amorous. The free flowing connections that formed on the first night have proven to become lasting friendships. Many of them stay in touch, and the group that formed around the couple who got engaged that night attended the engagement party. The couple, Joel and Karen, also plan to have a period of silence at their upcoming wedding embracing the energy in which they promised to get hitched. The evening had a subtle atmosphere, with much underlying the unspoken. Quite a calm group, with a lot of heart connection.

The second night of the festival was a much younger crowd than the first night, and got a little out of control. It was quite rowdy and heaps of fun, and it was no time before you couldn’t tell who came with who as the group merged into a mash-up. Peeps who certainly didn’t arrive together left together. One participant, Simon Eales left all his belongings behind, and when he showed up to collect them the next day I discovered he was a street press reviewer who subsequently wrote an article on the piece, the column called ‘Bangs? no Fringe’ for Front Row Arts in Inpress. His words may give you an idea of what the group were like. They physically connected by wrapping each other up in masking tape. At one point the whole table was tied together this way. Bonding! The group decided to break the silence around the table after about 3.5 hours. It’s the first time a group that has come in from a fringe festival has broken the Silence while still on the premises. Normally I find that when they are festival events, the participants approach the space as holding the silence, and feel free to talk if they are outside of it, but not before. Many a sidewalk debrief has occurred this way. This group ran down the sidewalk and ended up at the pub down the road and dissolved into the evening.

The third night it rained. No big deal, we had undercover, however it did mean that I had to break the tables up to make sure no-one got wet. This changes the dynamic as the groups are smaller and often curious about what it’s like ‘over there’ at the other table. With the help of one of the guests, we collected everyones car keys and played musical chairs with key pairs. Nice to break things up. One lady brought her partner along for his birthday, not telling him anything about the event until they got to the door and she quickly briefed him as I let them in. Wowswers, what a gift. We had a birthday cake, and sung the ol song in sign. Very sweet.

Behind the scenes it was one of the smoothest runs yet. Most of the crew came from my crazy extended family, as they are nearly all in Melbourne I seized the opportunity to collaborate with them in some Art&Life :: and loved every minute. What an incredible difference having all that support makes. And loads of them came along as guests too, which was about time! My particular thanks to the following for giving their time, resources, and wonderful selves to the events: Elizabeth Leticia Grace Cowin, Augustus Viola, Aviva Beecher Kelk, Emma James, Mary Kearney, Rob Krikori, Celia Ryan, Marg Welch, Mag Kearney, Frank Viola, Jack Viola, Susie Rourke, Danny James.

So now we head from one fringe festival to the other, as I prepare for Adelaide Fringe in March. The crew is coming together down there, and we have a few repeat offenders behind the scenes – we can expect to portion out potions on the plates with the fantastic Antonietta as our chef again, wonderful! The dates for that one are March 7, 8 & 9, so get your tix now at the festival website, or buzz me of you’d like to come help instead of buy a ticket, and see ya there in Mad March. Can’t wait to see some shows at AFF as well, and if you want my recommendation for something to see, check out Sketch The Rhyme!

Adelaide Fringe SDPs

Well well Adelaide, there’s nothing like a fringe festival run to spice up this project. Let’s see what kind of antics we saw: One guy showed up with his arm in a sling, the cause of many a gesture, and after the dinner party on the street just took it off…  We had a blind date! Self fulfilling prophecy at work here: the crew and I were talking that night about how funny it would be to take someone on a date to a silent dinner, like “babe, I’m really into you, I just don’t want to talk to you!” and sure enough that night we got a couple who weren’t just on a date, but had never met before. They didn’t arrive together so had to work out who each other were at the table. As luck had it they were seated opposite each other, and apparently picked each other out straight away.  I’ve gotta admit, when I talked to them on the street afterwards, I wasn’t sure if there would be a second date, the lady didn’t seem convinced. I wonder if talking changed their opinions of each other. As a rule I find people much more agreeable without words, but that’s definitely a variable. The guy in this duo had stitches in his forehead, and since I had sliced my finger to the bone the night before, granting me an episode in emergency and six stitches along my knuckle, I had pretended throughout the night that I had punched him in the head, resulting in both our wounds. Love a bitta charades. There were people equipped with photos of their pets, grandchildren and favourite flowers – that’s prepared! Podium dancing around the swimming pool, the neighbour hanging his washing out on the line, only to gaze over the fence and see 25 people sitting around a dinner table together in silence! ha! He must have thought we were mad. We had a group of talkers. 4 women who came as a group for one of their birthdays. They hit the juice pretty hard, and were mouthing words from the start, which quickly became a whisper. Mouthing words to me goes against the request: Please do not use words – however I don’t like to police things too much. These events are for me more about creating an environment for people to play in. However, when the mouthing became a mumble, I did intervene. I wasn’t sure how to do it, so I got on my knees and begged them to zippit! The unfortunate thing here was that this made them feel a sense of defiance and they preceded to ignore me and continue talking, even though I repeated this action a few times. I guess this is ok, sometimes it’s good to rebel right? And I guess if willingly participating in an event gives you the opportunity to go against the grain, then I guess I’m happy to have provided that opportunity too. The only problem is that the people sitting around them didn’t really get to play fair. Ah, it’s kinda like disturbing class in primary school!

Overall it was an amazing experience. The run was sold out, so we had full tables each night. Opening was touch and go at the start, with a sudden storm crashing our outdoor setting an hour before the guests arrived, and blowing the marquee ‘smoking area’ into the pool! Wow, I wasn’t sure we’d get it together but sure enough by the first knock on the door, we were set to go.

My biggest thanks go to all who helped make it happen, Antonietta and Ayesha for the love that poured out of the kitchen, that was one seriously amazing menu!  I will have the recipe section of this site up soon, and desperate to share some of that food with you. It was a middle eastern influenced menu, and the desert was a certified love potion… To Rod and Coomba for their splendiferous service and all four of you for some [ineffable] kitchen antics – olive oil will never look the same again!  To Marg and Jahan for being such gracious hosts and adding so much personality to the events. To my mum, Trish, for showing up to one event, realising how much help I needed and staying and working on the whole run, thank you x To the Adelaide Fringe Festival for completely supporting a project that didn’t fit in the box, and helping me to realise it my way at every stage of the game. You guys really are supporting new and different ideas, and hybrid art forms, it’s amazing and I’m proud to be a part of it. And most of all, to every single participant, each and every one of whom became the work, embodying it, and filling the silent space with themselves and their interactions, thoughts, responses and (sometimes outloud) laughter.  Cheers guys, that run was a truly amazing experience for me.

Cameras were banned so I have no pics of the madness to show you, but oh how lovely to attend an event where you know you won’t be captured and posted online in the morning doing that certain something after two bottles of wine…

I did however sneak a few in the hours around the events, so here’s a bit of behind the scenes for ya:

Margaret and Jahan’s amazing back yard, on a night when it didn’t rain!
Antonietta at her incredible Moroccan pumpkin soup
Ayesha and the ‘erbs
Coomba and Rodney prepping zataar bread .. quite a spectacle.
desert was truly a love potion : pistachio halva, cardamom icecream, persian fairy floss, rose water toffee and rose petals. Quite out of this world.

Adelaide in the making

Adelaide Fringe has been a blast the past coupla weeks, and the dinners are now approaching! The wonderful possie getting this bonanza together have come together in force, and we’re stirring it up.  Menus are in the making with Middle Eastern tunes. Seasonal and cooking by colour, it’s kinda like paint by numbers! And… go!

vege boot
Happiness is …